UPA成員大都是偽警察,有德國人供應武器提供訓練,而且在四一至四二年協助SS清剿聯共黨員和猶太人期間已經練習過怎麼搞圍捕和屠殺。所以後來在43年大屠殺期間他們的效率極高。女主逃亡路上保護過她的其實是德國陸軍並不是什麼黨衛軍,那麼多影評都會認錯也是天曉得了。至於為何不讓紅軍游擊隊出現,電影裡其實交代過:蘇德聯合滅掉波蘭後NKVD已經針對波蘭人搞過清洗。這部電影談不上血腥,都比不上白俄羅斯的「自己去看」,43年屠殺的真相要比電影慘百倍。
《沃伦》影评:一部让人相当致郁的冷门战争佳作,民族矛盾、宗教矛盾彻底爆发的时候,平民是最为悲惨的牺牲品,我们本来什么都没做过,却要成为极端民族主义、极端国家主义思想下的牺牲品。乌克兰民族和波兰民族、乌克兰东正教与波兰天主教的矛盾长期压抑、瞬间爆发,我们都是其受害者和悲惨者。借用豆瓣影评的一位网友的一段话:一场战争不仅仅屠杀掉几千或者几万年轻人。它还屠戮掉一个民族心中的某种东西,这种东西永远不会失而复得。如果一个民族经历了太多的战争,很快,剩下的就全都是残暴者了,动物,那些我们——你和我以及其他像我们这样的人——在这种污秽中培养出的动物。 ——约翰·威廉斯 《斯通纳》
这是一部比任何恐怖片都恐怖的历史电影,讲述的是二战期间发生在东欧的一连串人间惨剧。但这次被控诉的对象却不是作为政治个体的德国纳粹,而是深藏在无数历史灾难背后,从未被驯服,也从未走远的人类的兽性。
电影的名字源于沃伦地区,泛指今日西乌克兰与波兰交界的沃利尼亚(Volhynia)和加利西亚(Galicia),从19世纪的三次瓜分波兰事件,到1939年二战前夕,这一地区控制权反复易手,波兰人、乌克兰人、犹太人在这片土地上混居交融,终于在二战期间爆发了极其血腥恐怖的种族屠杀事件。
故事始于1939年沃伦地区一场乡村中欢乐的婚礼,一户波兰人家的大女儿嫁给了乌克兰人的小伙子。婚礼上,波兰人、乌克兰人、犹太人,四邻八舍不分种族全都跑来庆贺,共享美酒与游戏,虽然其中有暗流涌动,但庆典的气氛还是其乐融融。电影的主角,波兰人家的小女儿Zosia虽然也有乌克兰心上人,却被父亲为金钱和土地,许配给了富裕的波兰老鳏夫。转眼间战争爆发,在列强操弄下复国仅21年的波兰再次闪电亡国,被苏德两个强盗邻居所瓜分。苏联占领了沃伦地区,作为有产阶级的波兰人被大面积抄家流放。为救下Zosia,她的乌克兰心上人冒险贿赂苏联军官,不幸被杀,用生命保住了Zosia和他们的私生子。与此同时,伴随波兰统治倒台,乌克兰民族主义趁机抬头,暗地里开始了对波兰人的报复。没过几年,苏德开战,占领者换成了德国人,轮到犹太人被大规模消灭,他们东躲西藏,却还是难逃厄运。再往后,盟军开始反攻,纳粹再无心力管理占领区事务,乌克兰民族主义急速膨胀。臭名昭著的乌克兰起义军(UPA)成立,试图在二战乱局中,用暴力手段使乌克兰获得独立地位,在沃伦地区展开了针对波兰人与同情波兰人的乌克兰人的无差别大屠杀。随之,波兰人也展开了对乌克兰人与保护乌克兰人的波兰人的报复性屠杀。
想象一下,昨天还跟你一起在田地里劳作收割嬉戏玩耍聊天谈心的邻居们突然集合起来听政治宣传,下一刻就提着同样的农具来杀光你全家。这么恐怖的画面竟然不仅仅是故事,而真实发生在了我们自己的历史里。从1943年春开始,到1944年苏联夺回西乌克兰为止,大屠杀持续了超过1年,无论男人、妇女、儿童,甚至婴儿,一个个波兰村庄在一夜之间被屠戮殆尽。砍头、剥皮、剖腹、挖眼、火烧、二马分尸……施暴者使用了超过160种不同的恶毒手段将被害者蹂躏致死,至少15万犹太人,8万波兰人,1.5万乌克兰人失去了性命,彻底让一个和谐的民族融合地区变成了人间炼狱。
Zosia家人中,先是家婆死在了苏联的流放路上,接着是丈夫与其亡妻的儿子,以及Zosia父母先后死于乌克兰人的杀戮。Zosia姐姐虽然嫁给了乌克兰人,却又反过来成了波兰人的报复对象,一家五口惨死在了波兰人的暴怒里。唯一逃脱了屠杀的Zosia与她的私生子,最后还是不幸命丧于逃亡路上的野狼。
民族是什么,百度百科里民族是指“文化、语言、历史或宗教与其他人群在客观上有所区分的一群人”。我们都是同一个物种,人类,不同的民族并非天然有所不同,仅仅是由于我们后天主观定义出来的差异,却在动荡中成了判别一个人生与死的依据,不觉得非常可笑吗?包括我在内,大部分国内观众都对电影里的角色脸盲,常常只能依靠服饰中的细节、言行才能判别角色的民族属性,这其实从侧面反映了民族界限是何等的模糊。
电影里有一段,Zosia带着儿子在逃亡路上被UPA拦了下来,Zosia谎称自己是乌克兰人,无法判断的UPA只能命令Zosia划十字、背诵祷词,以此来辨别真假。外貌毫无特征差异的人们,划错十字就不是人,就可以被随意清理掉,何其荒谬。事实上,波兰人属于西斯拉夫人,乌克兰人属于东斯拉夫人,仅仅是一个信仰天主教,一个信仰东正教,他们不但是近千百年来毗邻而居的老邻居,还是源自同一个祖宗的亲兄弟。
屠杀发生后,姐姐丈夫的兄弟参加了UPA,他恳求弟弟杀死波兰妻子,否则弟弟与他的孩子都活不下来,绝望挣扎后,弟弟反手就用斧子砍死了一心想救他的亲哥哥。是什么让丈夫必须要做妻子与死亡二选一的选择题?是什么迫使曾经共同成长的弟弟将斧头砍向曾在婚礼上为他送上祝福的哥哥?
暴力者随意解释,彻底颠倒着这个世界最起码的是非观念与道德逻辑,泯灭了人与人之间最基本的温情,将现实推向了完全颠倒的混沌与烈火之中。
电影前后还运用了大量对比讽刺的镜头来凸显这种荒谬:
姐姐的幸福起源于门廊,也惨烈地止于门廊。在波兰娘家的门廊,人们斩断她的辫子,表明她从少女成为妇人。而在乌克兰夫家的门廊,前来报复的波兰人疯狂地砍下了她的头。
婚礼上,所有民族都不分彼此地欢快起舞,人们玩了一种围着圆圈,接力扔燃烧木桩的传统游戏,而大屠杀到来后,还是同一个游戏,只是木桩换成了被裹上干草点燃的波兰小男孩。
本该代表平和与信仰,播撒爱与宽容的教堂成了狂热民族分子思想统战的集会地,神父布道完,大家就纷纷抄起农具去杀人。
面对前来和平谈判的波兰军官,UPA口口声声说着我欣赏你诗词中美好的理想,却丝毫不妨碍下一秒就下令将对方二马分尸,即使你我从前无冤无仇。
村里有三个年龄相仿的小男孩是好伙伴,一个波兰孩子,一个乌克兰孩子,一个犹太孩子。他们还太小什么都不懂,只是在成年人的影响下,犹太小孩偶尔会被小伙伴欺负,再后来突然有一天好伙伴说:你是波兰人,我不跟你玩了。孩子脑海中有了民族主义的概念,即使他甚至未必懂得什么是民族……
民族对立,宗教矛盾,政治冲突,经济、教育权不公,这些问题其实都由来已久,绝非一日之寒,但在和平年代,尚有国家机器在维持整个社会的运行秩序,纵然有暗流涌动,却总体被压抑着难以掀起大浪。电影反映的实际是制度崩坏下的恐怖,无政府状态下,失去了制约兽性的暴力机构,人类最原始的恶毫无节制地爆发了出来。不像南京、犹太那样或因战争,或按统治者命令,由国家机关牵头对平民实施的杀戮,沃伦更多是受极端思想驱使的平民自发对曾长期和睦相处的异己群体实施的无差别大规模清洗,更令人痛心不已。而最令人难过的是同样的恐怖故事,在人类的历史中,沃伦既非第一次,也远非最后一次,惨绝人寰的场景原封不动地,一而再,再而三地回归:1948年的印巴、1975年的柬埔寨、1988年的高加索、1992年的波黑、1994年的卢旺达、1998年的印尼……人们不但操起砍刀就去剁掉老邻居的脑袋,而且如《杀戮演绎》中所展示的,当事情平息之后,他们回家照常吃饭睡觉,仿佛那些被他们大卸八块的人从来就没有存在过。
“不要说这些人是禽兽,禽兽是不会折磨人的。”
在炼狱之中,善良的人性光辉尤其显得弥足珍贵。据波兰历史学家统计,当时曾有4000多波兰人被乌克兰百姓救助过,为此,有至少400名乌克兰人为营救波兰人而付出了生命的代价。对此,电影中也有过不少描述,但这些善良的“冒险”还是太有限了,面对席卷而来的极端民族主义洪流,个体力量之渺小几乎微不足道。
二战后,波兰、乌克兰的民族问题最终靠简单粗暴的人口强制迁移大致解决。后来,波兰政府对曾经的错误民族政策进行了反思与公开道歉,而乌克兰则由于众所周知的特殊政治光环,始终拒不承认沃伦屠杀。当二战中死难的犹太人早已沉冤得雪,沃伦屠杀的真相却还被深深封锁在历史的乱葬岗里,就像《卡廷森林》,被害者的后辈只能一再通过电影来对世人的封锁和沉默表达他们极度悲愤的控诉。“东部的波兰人被屠杀了两次,先是被用斧子砍,第二次却是死于沉默,第二次死亡更恶劣,远超过了第一次。”
近年,随着乌东冲突加剧,乌克兰民族主义者开始肆无忌惮地高举UPA的黑红色军旗,公开宣扬新纳粹极端思想,甚至把UPA头目斯捷潘·班德拉奉为民族英雄。眼看今年俄乌战争爆发,同属东斯拉夫人,亲缘度比波乌更高的两国终于同室操戈,而为早已过时的意识形态之争,包括波兰在内的欧洲各国纷纷站队乌克兰,政客们大概都渐渐淡忘了曾经的恐怖过往。我禁不住要问出那个难以启齿的问题:电影里惨绝人寰的场景,离我们还会远吗?
本片过度考验心理承受能力,不建议绝大部分人群观看,真要看的话,建议优先选择阉割版吧。生而为人的责任,历史不容忘却,已收藏。
不来电也不得不妥协,
可以理解,
那只是为了生存。
彼此喜欢却彼此撑住,
是因为彼此都想展示彼此最好的一面,
以维系相遇时的美好。
而互为真爱不同,
互为真爱可以不洗澡肆无忌惮的在牛圈里做爱,
甚至不惜牺牲自己保全对方。
没有爱与希望之后的人生是孤魂野鬼,
也是一具四处流浪的躯壳,
只是活着而已…
越往后越恐怖越恶心,真的想🤮。
波兰和乌克兰原来打过那么凶的仗,因为什么,语言不同,还是宗教信仰不同,乌克兰是跟俄国一样东正教,波兰应该是天主教。
没想到被德国占领的时候都只是插曲,后面波兰伦敦政府跟乌克兰国家民族组织谈崩,乌克兰人开始屠杀波兰人的时候我想到了《卢旺达饭店》,不过把更残忍的拍出来了,割人皮,砍头,用马拉把人活活拽成两半,残缺不全的肢体,强碱,把小孩用稻草捆起来然后点火烧死,把婴儿砍杀扔进井里,到处都是血腥的尸体,看的人恶心至极浑身恶寒,配上那个刺耳的bgm,每分每秒都是折磨。
女主Sofia太不容易了,他那个傻呗老公死的有点快,看到的时候人头已经在桶里了,她真牛b,辗转还是活下来了,好不容易找到了姐姐,她姐跟乌克兰人结婚了,对方是真的真爱,杀了自己兄弟也不杀自己老婆,可惜这俩人和他们的孩子都被乌克兰恐怖分子杀了。
每一次女主张大嘴巴惊恐的无声哭泣我都觉得震撼,这里真的就是地狱,丧尸袭击都没这么残酷恐怖,未来到底该怎么办呢,没人知道,能从那个年代活下来的人真tm的牛逼。
想起开头的时候,还是姐姐和乌克兰男孩的美美婚礼,她哭还是因为姐姐要离开家了,当时村里就一个人一直在念叨政治的东西,谁知道越往后竟然愈演愈烈。。当时最先被杀的还是犹太人,Sofia曾经的爱人因为带她回家生产而被枪杀在自家门外,乌克兰人希望德军打过来这样他们就能借势独立,放火烧毁房屋开始成了常态,那个念叨政治的家伙开始有了权力,Sofia从藏难民在家的人变成自己也成了藏在别人家的难民,战争让波兰人和乌克兰人都难逃一死(她姐和姐夫)。
太恐怖了。
波兰电影《沃伦》和俄罗斯电影《我们来自未来2》,放在一起看有好处。 乌克兰和白俄罗斯西部有一块领土,原来都是俄罗斯沙皇统治,十月革命后的苏维埃与波兰战争,波兰把这块地方抢过去了,有20万平方公里。这块地方住着乌克兰人和波兰人。 二战,德国入侵波兰,苏联也趁机入侵,把这块地方抢回去了,其中就包括一个叫沃伦的地方。一些文章常说的德国和苏联夹击波兰,实际苏联不过是拿回了1920年被波兰占领的土地。 沃伦这里的乌克兰人和波兰人,无力抗拒强大的德国人和苏联人,但是互相打来打去,以及配合德国欺负犹太人,还是有两手。于是有了波兰人受害的沃伦惨案。 《我们来自未来2》,讲的是两个仇视俄国人的西部乌克兰人,经历了时空穿越,发现他们与俄罗斯人曾经并肩战斗,抗击德国入侵。回到现实后,改变了对历史的看法。 想了解乌克兰与波兰、乌克兰与俄罗斯关系,看这两个电影,会快一些。
有很多细节没大跟上,然后去补了一下课hhhhh,来自Wikipedia,对于一些脸盲的地方有帮助。
The movie tells the story of a young Polish girl, Zosia Głowacka, from Volhynia's a village settled by Ukrainians, Poles and Jews.The story begins shortly before the outbreak of World War II in 1939 with the marriage of Zosia's sister to a Ukrainian. During the wedding, Zosia's father decides that she has to marry an older village administrator and a widower, Maciej Skiba, despite her being deeply in love with a young, local Ukrainian boy, Petro. The local Ukrainian population shows a lot of resentment towards Polish officials, as they favor the Polish minority in Volhynia. Because of that, some Ukrainians carry out terrorist attacks against Polish authorities and Ukrainian collaborators. These attacks are met with severe actions from the Polish government, including closing Orthodox churches and the humiliation of the Ukrainian population. Despite that, some parts of the Ukrainian and Polish populations try to reconcile with each other.
When the war begins, Maciej gets conscripted to the Polish Army to fight against the Germans in the September Campaign. When the campaign is lost, Maciej and other survivors try to return to their homes. On their way back, all members of the group, except Maciej, are captured by local Ukrainians, tortured and killed.
Maciej manages to get to the village thanks to disguising himself as a Ukrainian. The village is in the eastern part of Poland, which gets occupied by the Soviet Union, and communist rule is established in the village. The local Ukrainian and Jewish populations co-operate with the Soviet authorities, replacing prewar Polish authorities as governors.
In the meantime, Zosia gets pregnant, most likely by Petro, but wants Maciej to believe that the child is his. As a part of a massive deportation of the Polish population carried out by the Soviets in 1939–1941, Zosia, Maciej and his children, are about to be sent to Siberia or Kazakhstan to do forced labour. Zosia and the children are rescued in the last moment, just as the train is about to depart. Petro bribes the guard with vodka. When they come back to Petro's home, Zosia gets contractions. While she is giving birth to her child, the guard arrives and kills Petro. Zosia then takes care of Maciej's home and children during his absence. The children are sent to a school organized by the Soviets.
The plot then switches to 1941, when the German Army is conquering Volhynia during Operation Barbarossa. The Germans begin to kill the local Jews and organize local police units from Ukrainian collaborators, who actively participate in the Holocaust. However, Zosia and other Ukrainians still try to help the Jews by hiding them in safe places.
In the meantime, Maciej comes back home after he manages to escape deportation. The family tries to organize its life in the changed reality, as the Poles face increased hostility from their Ukrainian neighbours, resulting in an increase of murders of Poles committed by the latter. One day Maciej sets out to the local market despite Zosia's protests motivated by her fearing for his safety. She is proven right, as the other Polish neighbours arrive some days later with Maciej's head cut off.
Zosia tries to get by the best she can while she takes care of the children. However, one day, she defends herself against an attempted rape by a Ukrainian policeman, and the presence of the Jews hidden by her is revealed. The Jews, an old couple and a young unrelated boy, escape and find shelter for the winter in the home of a local Ukrainian, who agrees to help after the Jew promises him a large amount of money. When the Jew's wife dies and winter comes, the Ukrainian demands a payment. When he asees that the Jew cannot pay him, he murders him in the forest. The young Jew is rescued by the Ukrainian's son.
In the summer of 1943, news about the killings committed by Ukrainians spreads among the Poles in the village. At the time, a young Polish man who is seriously injured arrives at Zosia's home. When he recovers, he settles there as it makes Zosia feel safer. He contacts the local Home Army unit, which, by orders of the Polish government in the United Kingdom, does not protect the Poles from Ukrainian attacks but prepares to fight the Germans in the future. When the young man is asked to be a guide for members of the Home Army on the way to a meeting with the Ukrainian Insurgent Army (UPA), Zosia desperately tries to discourage him from going. She failed to stop him. When two members of the Home Army arrive at the meeting, as agreed without weapons, they get surrounded by the UPA soldiers, captured, and then dismembered by horses. The men from the UPA then hunt for the rest of the Home Army group. They find only Zosia's friend, who has escaped and is hiding in a church that is full of Poles. During the ceremony, the Ukrainians enter the church, killing everyone in the way, but Zosia's friend. She runs to the church's tower and somehow survives the attack.
In the meantime, the local Ukrainian population, the former Ukrainian policeman and his friends join the UPA in the forest. They gather and call to eradicate the lands from Poles. There are two ceremonies from the Ukrainian Orthodox priests shown: the first one preaching about loving neighbours and the second one calling to kill all Poles to achieve pure Ukrainian lands at last.
Soon, the first survivors of the pogroms arrive to the village and tell the story of Ukrainian neighbours killing Poles and everybody who protested against the killings. The local Ukrainian village administrator arrives at Zosia's home to ensure her that she and her children can stay at home, as they would not be harmed by their Ukrainian neighbours. Also, other Polish people are reassured about their safety. However, those are only deception tactics to allow Ukrainians to kill as many Poles as possible.
The killings in the village begin at night. Zosia escapes with her child, but as she runs away, she sees Poles being tortured, including pregnant women being stabbed in womb, people getting disemboweled and getting their eyes gouged out. Zosia's stepson is murdered during this massacre. Her stepdaughter, however, is rescued by a Ukrainian peasant. On their way to escape from certain death, Zosia and her child arrive to Petro's previous house, where they get rescued by Petro's mother.
As Zosia runs away with her child from place to place, she encounters the corpses of mutilated Polish infants, women and elderly in every village. In one place, she runs into a unit of the German Army, which saves her from certain death, just moments before Ukrainians are about to kill her and her child. The Germans are astonished at first as to why she walks alongside them, but when they find more and more stacks of murdered Poles on their way, they feel sorry for her and escort her to the place where her sister, Helena, lives. She is welcomed there, as Vasyl, Helena's Ukrainian husband, is friendly to Poles. Zosia hides in their shed with her son. As most of the village's population is already involved in killings, Vasyl's brother tries to convince him to join the nationalists and to kill his Polish wife so that he can save himself and the children. As they wrangle, Vasyl kills his own brother with an axe.
The next night, the whole family is attacked by Poles who seek revenge on Ukrainians. They condemn Helena for living with a Ukrainian. They slaughter her newborn in front of her eyes, kill Vasyl and behead her. Zosia observes everything from the shed. Terrified, she escapes again and is now afraid of both Ukrainians and Poles. She hides in the woods with her son. Subsequent scenes show the UPA rushing through the forest, exultantly celebrating while leading a cart occupied by the Poles who killed Helena's family and other Ukrainians, but now disfigured, mauled and visibly tortured as punishment for the retaliatory attacks. A young, blond man with obscured features places Zosia's son on a horse-drawn cart, before approaching Zosia's resting place in the forest. The film then alternates between shots of an unconscious Zosia on a cart, Zosia and her son walking through a German checkpoint at a bridge, before finally settling on an unconscious Zosia lying on the cart, her son sitting at the front of the wagon with the young man, who looks exactly like Petro, making their way through the wide green fields of Volhynia.
曾经好好的民族融合地区由于战争政治民族宣传搞起了无差别大屠杀 比一切恐怖片都真实 满屏幕的血肉模糊 比南京大屠杀更窝心 因为不存在侵略啊!看这种电影哭都哭不出 所以我一直说人类是世界上最残忍最没人性的生物对国人来说的冷门片 大导演残酷再现历史的十分之一
还是形式大于内容了吧,不得不说剪辑很混乱,零碎无厘头的镜头,加上女主活不起的表情,让我无数次放弃观看
片里的波兰人也是倒了血霉了,熬过了苏联红军,熬过了德国纳粹,以为这下终于结束了,却被乌克兰民族主义者血洗了。最后几十分钟的大屠杀真是得捂着心脏看才行。
再现战争残酷的波兰电影,B站和谐版,血腥暴力依旧让我观影中有很多不适感。乌克兰民族对波兰屠杀也是基于极端的种族主义煽动起来的,人比猛兽更加可怕,因为动物之间不会无故自相残杀,反而是身为高智商的人类却有那么多人性的弱点,人类是多么可怕的物种!所有还原战争历史的电影都堪比恐怖片。
看的是差不多150分钟的版本(A站还是B站有阉割版本,心理承受能力较弱就去看阉版吧),部分镜头会有不适感,过于真实、残忍,血腥,反人伦。 沃伦大屠杀的遇难人数超过八万。
8 历史反复证明 民族混居与信仰冲突的地区积攒的矛盾一旦爆发 后果将是万劫不复的人性深渊;波兰和乌克兰 两个夹杂在德国和野蛮俄狗之间的悲情国家无法摆脱的命运 相比波兰 乌克兰更不走运 今日乌之现状能看做是历史的报复吗;德军:早知道你们斯拉夫人内斗这么狠 干嘛还亲自动手
二战后期乌克兰人对波兰人血腥屠杀,其中还夹杂着苏联人清洗波兰地主、德国人灭绝犹太人、波兰人报复乌克兰人。全片极为血腥极为残忍,可谓惨不忍睹,只有人类才会对同类做出如此可怖勾当。一个强有力的政府可以约束不同种族,防止他们仇杀,一旦政府垮台,种族仇杀就很难避免,南斯拉夫、卢旺达都是这样。
4.5 后半段一度干呕,真实的极端影像,足以堪称与《索尔之子》并列的近几年二战题材神作。相比乌克兰土匪,德军真算文明人了。结局玩了一手对脸盲患者不大友好的阴阳两隔套路。
叙事基本上是彻底失败的,凌乱的剪辑更是雪上加霜。唯一值得称道的就是这个无比凝重的题材,可惜这么拍真是暴殄天物。
真正的恐怖片
太惨了,战争阴云与民族主义下的人性黑暗面,屠杀以及各种各样的屠杀和清洗。人性泯灭后究竟会有多么残忍,多么令人反感与厌恶。不忘历史,珍惜和平,或许是不少人看完该片后的最大感受,毕竟战争带给人们的伤痛太大了。“东部的波兰人被屠杀两次,先是被斧子砍,第二次却是死于沉默。”3.6
結局只能說是女主自己的想像了,她的倖存不代表她能再“正常”活下去。烏克蘭人當年對波蘭人的無差別虐殺是基本完整呈現在本片當中,每件虐殺過程都是有記錄在案的事實。而女主姐姐一家的遭遇也表示波蘭人的事後報復也清除了最後一丁點烏克蘭少數好人原本的民族共存努力,此片極度令人不適。
愿世界和平!真的太惨了,人间炼狱,大过节的我为什么要看这么丧的一部电影!
切辫切头,火束活人,墙头草夺权,伏特加换命,偷鸡割臂,桶中断头,邻里兄弟相残屠杀,读过你的诗歌亦五马分尸。波兰姑娘在非常时期的三个情人,无解的极端民族矛盾,太恐怖……导演Wojciech Smarzowski最高杰作
抛开剧作层面上的问题,这片子在还原历史方面还是挺震撼的,这位导演对于还原生活或事件的细节一直很严谨,这部电影里的屠杀场面,虽然比不上真实历史,但绝对比我们看过大多数战争片震撼,细节在于杀人场面的花样百出。http://mp.weixin.qq.com/s/N1DZZVlWZwBR
唯一想说的,是这片子对脸盲症太不友好了😂
很多人把这类悲剧归结为民族、宗教、意识形态等等纷争,事实上问题的根源是无政府状态,没有制约兽性的暴力机构,人类会爆发出最原始的最大的恶...
不清楚这段历史,但并不怀疑人性如此冷酷、卑劣、丑陋。
宁做太平犬,不做乱离人。还能说什么呢?一切坚韧,勇敢,果决,在大历史面前根本不值一提。巨大的轮子碾过,你连粉末都不剩。
民族主义者,惨绝人寰的种族清洗罪行,警钟长鸣!