三个新娘一个老爸

看这部影片就像吃甜美的蜜糖吃到一半忽然发现里面有只苍蝇吃的有点痛苦,前半部有对女儿们满满的爱,但后半和弟弟的女友调情实在是受不了阿!弟弟都把女友带回家了,代表是非常认真的感情男主和女主实在......

尤其是女主烤松饼吃醋那段有些人评论说看得很快乐,但我觉得那就是蜜糖里的苍蝇男主眼看好不容易就要解脱了这尴尬的局面这女的还在勾引他打球那段也是......

也许有人会说我保守这就是爱情等等的但我要说的是如果你是那弟弟你真的会疯了吧！从影片里弟弟把女友带回家见父母希望女友和家人相处愉快还有紧张的唱歌都是非常爱女友的表现,而且看的出弟弟和哥哥的感情非常的要好。

影片结尾弟弟很快就爱上别的女人这都是电影效果一般人不可能在那么爱女友,而女友在几天内变心和哥哥在一起有办法那么快调适心情出来

可能是我看电影常常以同理心去感受影片吧当我把心情切换到弟弟那时真的非常不舒服而且不合理（找上别的女人）我只能说这部影片后期实在让人笑不出来。

    很多电影都被遗忘在硬盘里了，直到再次发现它们时，多半也忘记了故事梗概或者演员阵容。这样很好，真的。总会有surprise的。
     一如这部《Dan in Real Life》，典型的温情派爱情轻喜剧。故事围绕家庭，爱情，亲情，道德，困境，成长。Steve Carell的演技值得称赞，把Dan的微妙心里处理的很好。Juliette Binoche浑身散发着淡淡的光。尽管有个好导演，剧情未能跳脱出好莱坞式有情人终成眷属的套路，而某些细节也有铺陈的嫌疑。但它仍真实的打动了我的心。
    温馨的家庭氛围，期间点缀着轻快和幽默。但我忘不了Dan落寂的神情，那是对生活的承受和付出。而作为一个出色的“家庭专栏”作者，他和女儿的关系却陷入了困境。
    而发生在雨天书店的邂逅，似乎就是生活中随时降临的surprise。那个长镜头很静也很美：枫叶红的秋，灰蒙蒙的雨，蓝色海潮，木头小屋，一杯咖啡，诉说和倾听，一个男人和一个女人。而，一杯咖啡的时间，可以很长，也可以很短。我情不自禁的想起了和他初相遇的情景，那些畅谈至今仍然完美，我第一次觉得4小时的旅途，很短。如果许我一生，该有多好。
    生活也从未停止制造下一个surprise。再次相遇，却遭遇尴尬。于是我看到一个在爱情，亲情，道德里挣扎的男人。即便压抑，隐忍，但在爱情面前，谁都会变得疯狂。只因爱情如果是feel,那对爱的渴望便是本能。Dan替弟弟说出爱的描绘时的神情，女儿指责他不懂什么是爱时，那以疑问句开头的有着击中人心的独白。三张罚单的微妙场景。等等。此刻，如果问自己爱情是什么，谁又能说得清呢？
    这部电影的最后几个场景，让我意识到这个春天遇见的短暂美好，便是爱情。还未真正开始，便已结束。

what is it?
it's frustrating that you can't be with this person ？
that... that there's something keeping you apart ,something about this person you connect with?
and whenever you're near this person, you don't konw what to say , and you say everything, that's in you mind,and in your heart .
and you konw that if you could just be together,and this person will hlep you become the best possible version of yourself.
you know that feeling in you heart , when your heart is just pounding, and like it's actually outside your ribs.
exposed ,vulnerable,wonderful and awful. and heartsick and alive ,all at the same time .
what do you call that?
uh, love.

很温暖的亲情&爱情喜剧 看的我那叫一舒坦
还有如果你也喜欢片尾曲，就跟着一起唱吧！！！

http://www.9ymp3.com/html/song/19/55715.html

Sondre Lerche - Modern Nature Lyrics

The moment has come to face the truth
I'm wide awake, and so are you
Do you have a clue what this is? (I don't know)
Are you everything that I miss? (I don't hope so)
We'll just have to wait and see (Wait, and see)
If things go right we're meant to be

The surface is gone, we scratched it off
We made some plans, and let them go
Do you have the slightest idea (No, I don't)
Why the world is bright with you here? (Oh, is that so?)
Stay a while and wait and see (wait, and see)
If things go right we're meant to be


Oh, what a world this life would be
Forget all your technicolour dreams
Forget modern nature
This is how it´s meant to be

The time is here for being straight
It´s not too early and never too late
People say I should watch my pace (What do they know?)
"Think how you spend all your days" (They all say so)
They´ll just have to wait and see (Wait, and see)
If things go right they´ll have to agree

Oh, what a world this life would be
Forget all your technicolour dreams
Forget modern nature
This is how it´s meant to be
Do you have the slightest idea (No, I don't)
Why the world is bright with you here? (Oh, is that so?)
Stay a while and wait and see (wait, and see)
If things go right we're meant to be

Oh, what a world this life would be
Forget all your technicolour dreams
Forget modern nature
This is how it´s meant to be

Forget modern nature
This is how it´s meant to be

两个关键点觉得弱了些。
第一个是在书店相遇，两个人互相爱上了对方。但书店里发生的事情包括后来在咖啡店里的聊天不足以让两人堕入情网。
第二个是一首DAN配合弟弟唱的歌，让MARIE彻底被征服，同样也缺乏说服力。

刚刚看完Dan in Real Life。好看，很喜欢。
刚开始，是一个中规中矩的单亲老爸形象，洗衣，做饭，往面包片上涂果酱的动作多么娴熟，抗击小男孩的入侵多么决绝。我边看边在心里盘算可以推荐给某人看，与那个法国片Mon père, ce héros相映成趣。
不想，过了一会，老爸忽然变成了冲动的小男孩，看着弟弟与朱丽叶·比诺什腻歪眼中喷火啊！so，这不是一个讲父女关系的片子，而是讲中年男人感情的，与Mon père, ce héros说的根本不是一码事儿。
但是，好看，甚至可以说，很好看。
很温暖，大家族的亲情十分感动人心。当然，人家平常不住一块儿。
人多就是好啊！你看人家这一大家子可以集体做广播操，可以组织个球赛，可以搞个联欢会……
话说老爸的情绪异常引起了众人的关注，大家给他介绍了个女朋友。在等待该女朋友到达的时候，大家却又不停地说人家“pigface”，还编成歌儿唱，这都是些什么人啊！
哦，还要提一下朱丽叶·比诺什，居然还是那样身姿曼妙，风情万种。

"...Second, which I will call secondary representations, is that category of films which feature journalists, often as central characters, but in which journalism is an incidental element of the story. One thinks here (The Shipping News), where the subject of journalism--the job into which the central character is propelled by events--is less important to the playing out of the story than the movie's main themes of personal redemption and rediscovery."

"The same point can be made of Dan in Real Life, which stars Steve Carell as a recently bereaved newspaper 'agony uncle'. Secondary representations may be concerned with the life issues which a person who just happens to be a journalist might encounter in or out of the working environment. Journalism may in this context function as an important plot device, as in Dan in Real Life, where the lead character's journalistic status is principally a vehicle for establishing him as a certain kind of personality--intellectual, sensitive--with a certain kind of romantic potential, here developed in his relationship with Juliette Binoche's character. The nature of his journalism, or the processes which lead to its production are not discussed or explored in any depth in the film--it is simply there in the background. Steve Carell's Dan could have been a poet of novelist, if the aim were simply to construct a character who is a writer. Creating him as a columnist allows the script to play on the ironies of a man who gives public advice on relationships to his readers, but is somewhat dysfunctional in his own private life. Beyond this, his journalism is marginal to the story."

(Journalists in Film by Brian McNair)